On the Billboard albums chart, which measures sales, 1,500 song streams are equal to one album sale. 1 spot on the Hot 100 for multiple weeks, largely on the strength of its total weekly streams - a data point that Billboard and SoundScan have been counting toward the Hot 100 for less than two years. In recent weeks, listeners have purchased Justin TimberlakeРІР‚в„ўs single РІР‚СљCanРІР‚в„ўt Stop the Feeling,РІР‚Сњ the top song on the Digital chart, more than theyРІР‚в„ўve purchased anything else, whereas listeners have streamed the rookie DesiignerРІР‚в„ўs single РІР‚СљPanda,РІР‚Сњ the top song on the Streaming chart, more than theyРІР‚в„ўve streamed anything else. ( Billboard charts have relied on Nielsen data since 1991, when the publication made the switch from phone research to SoundScanРІР‚в„ўs purchase-tracking system.)Р”Р„t face value, the distinction between what qualifies as success on each of the latter two charts might seem a bit wonky itРІР‚в„ўs all just music on the internet. Digital Songs, a measure of online sales, also measured by SoundScan.Streaming Songs, a measure of online traffic measured by the traditional music track service Nielsen SoundScan.Radio Songs, a Nielsen Audio measure of terrestrial and satellite airplay.1 hit single as recently as the turn of the century.Р”Р„s of 2014, the Billboard Hot 100 is calculated using data from three subcategory singles charts: 1 hit single in 2016 has achieved a quantifiably different feat than a no. РІР‚СљItРІР‚в„ўs still the most-quoted chart among media, labels, PR companies when there is a success story to publicize.РІР‚Сњ As a record of success, the chartРІР‚в„ўs credibility persists - despite the fact that a no. РІР‚СљThe Hot 100 is, by leaps and bounds, our most-trafficked chart,РІР‚Сњ Pietroluongo says. The musical ecosystem is more fractured than ever, and Billboard is trying to create a coherent statement from all the pieces.Р”Р„ccording to Silvio Pietroluongo, vice president of charts and data development at Billboard, the Hot 100 is still the industry standard. Streaming music exclusives, such as BeyoncР“В©РІР‚в„ўs single РІР‚СљFormation,РІР‚Сњ further confound assessment of a songРІР‚в„ўs true reach. Sales and streams arenРІР‚в„ўt comparable to one another. The questions now are whether and how the Hot 100 can sustain its singular usefulness in a marketplace that contains multitudes.

1 single, spent 10 weeks atop the Hot 100 before being usurped this week by SiaРІР‚в„ўs РІР‚СљCheap Thrills.РІР‚Сњ)

(For the record: РІР‚СљOne Dance,РІР‚Сњ DrakeРІР‚в„ўs first no. The guy behind all three of those songs, Drake, has notably dominated the Hot 100 chart by dropping all sorts of releases at once. But todayРІР‚в„ўs marketplace doesnРІР‚в„ўt neatly distinguish among official singles (e.g., РІР‚СљOne DanceРІР‚Сњ), album cuts (РІР‚СљHypeРІР‚Сњ), and mixtape material (РІР‚СљJumpmanРІР‚Сњ). 1 song spot for 12 straight weeks in 1999 on the strength of massive radio play and platinum cassette and CD sales. The Hot 100 used to measure the popularity of commercial singles - think РІР‚СљSmooth,РІР‚Сњ the Carlos Santana and Rob Thomas collaboration that rode the no. While the math and components that constitute the Hot 100 have, naturally, evolved over the course of six decades, the chart has, since its inception, been the authority on any given songРІР‚в„ўs popularity in the U.S. Published since 1958, first in the physical Billboard magazine and now also online, the Hot 100 purports to measure the РІР‚Сљoverall popularityРІР‚Сњ of all songs commercially distributed in the U.S. But to answer the question above, youРІР‚в„ўd typically consult BillboardРІР‚в„ўs flagship chart, the Hot 100. Maybe itРІР‚в„ўs РІР‚СљOne Dance,РІР‚Сњ DrakeРІР‚в„ўs latest dance-floor anthem? Or is it РІР‚СљPanda,РІР‚Сњ the inescapable trap from newbie Brooklyn rapper Desiigner? What about Justin TimberlakeРІР‚в„ўs pop jingle, РІР‚СљCanРІР‚в„ўt Stop the FeelingРІР‚Сњ?Р”В«illboard publishes 111 different weekly charts that track the current popularity of songs and albums across a broad variety of genres and distribution platforms.

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